Late Byzantine

Rating
Featured/Unfeatured
Claimed/Unclaimed
Altar Cloth or Podea-1.jpg
The Metropolitan Museum of Art 

Altar Cloth or Podea. Period: Late Byzantine, circa: late 14th century. Made in: probably Greece or Constantinople. Materials: Silk, embroidery. Dimensions: 58 1/2 x 51 1/8 in. (148.6 x 129.9 cm).

Museum Description: “The double-headed eagle became the primary symbol of the state during the late Byzantine centuries and was also adopted for liturgical use. This huge eagle was probably used as an altar cloth or as a podea, a skirt hung beneath an icon. The inscription, which connects the owner with distinguished imperial dynasties, exaggerated the claims of a pretender to the patriarchal throne.”

On view at The Met Fifth Avenue in Gallery 303. The Metropolitan Museum of Art (New York) is one of the world’s largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe. Public Hours: 10:30 a.m.–5:30 p.m. Open seven days a week.

Saint Mark-1.JPG
The J. Paul Getty Museum

Saint Mark. Period: Late Byzantine circa: late 13th century. Place: Constantinople (Place created) Dimensions: Leaf: 21 × 14.9 cm (8 1/4 × 5 7/8 in.). Museum Description: “Saint Mark pauses, quill in hand, as he writes his account of the life of Christ. This portrait of the saint as author introduces his Gospel in a Greek manuscript of the late 1200s. An inscription in red on the gold leaf background identifies the saint by name. ” The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

cross.jpg

Benediction Cross, Period: Late Byzantine, circa: 1200s-1400s. Materials: black schist, gold, silver. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.

Glass Cameo, Late Byzantine.jpg

Glass Cameo, Period: Late Byzantine; circa: 13th century A.D. Brick-red, opaque; on the front, the Crucifixion with, the Virgin at left, St John at right. Set in a metal frame. Diameter: 51 millimetres. British Museum is closed 24, 25 and 26 December and 1 January, but is open every other day of the year. Fast facts about the British Museum: Founded: 1753, Collection size: 8 million objects, Oldest object in the collection: Stone chopping tool (nearly 2 million years old).

Intaglio; Late Byzantine.jpg

Octagonal intaglio, Period: Late Byzantine; circa: 14thc. Made in: Constantinople. Dimensions: Height: 1.7 centimetre. Material: sard. British Museum is closed 24, 25 and 26 December and 1 January, but is open every other day of the year. Fast facts about the British Museum: Founded: 1753, Collection size: 8 million objects, Oldest object in the collection: Stone chopping tool (nearly 2 million years old).

Manuscript Leaf, St. John and Prochoros.png

Manuscript Leaf, St. John and Prochoros, Period: Late Byzantine, 13th century. The museum is open to the public Tuesday through Sunday, 11:30 a.m.–5:30 p.m., except for federal holidays.

Gold Signet Ring, Late Byzantine.jpg

Gold Signet Ring, Period: Late Byzantine circa: 14thc.  Made in: Constantinople. Diameter: 28 millimetres Weight: 375 grains. British Museum is closed 24, 25 and 26 December and 1 January, but is open every other day of the year. Fast facts about the British Museum: Founded: 1753, Collection size: 8 million objects, Oldest object in the collection: Stone chopping tool (nearly 2 million years old).

Icon with St John the Baptist-1.jpg

Icon with St John the Baptist, Icon painted in egg tempera with gold leaf on a wood panel surfaced with gesso and linen; the panel has a raised border. Period: Late Byzantine, 1300 (circa), Made in: Constantinople (Modern Istanbul, Turkey). Dimensions: Height: 251 millimetresWidth: 202 millimetres. British Museum is closed 24, 25 and 26 December and 1 January, but is open every other day of the year. Fast facts about the British Museum: Founded: 1753, Collection size: 8 million objects, Oldest object in the collection: Stone chopping tool (nearly 2 million years old).

Icon Christ Pantocrator with Donators.jpg
The State Hermitage Museum

Christ Pantocrator with Donators, Period: Late Byzantine, circa: Circa 1363. Technique: tempera on panel. Dimensions: 106 x 79 x 2,8 cm. The collection of the State Hermitage includes over 3 million works of art and world culture artefacts. It contains paintings, graphic works, sculptures, works of applied art, archaeological artefacts and numismatic objects. The Hermitage is considered to have been founded in 1764, when Empress Catherine the Great acquired an impressive collection of works from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, St. Catherine’s Day. Opening Hours: Tuesday, Thursday, Saturday, Sunday: 10.30-18.00 Wednesday, Friday: 10.30-21.00 Closed: Monday.

Copper Alloy Counterpoise Coin Balance.jpg

Copper alloy counterpoise coin balance; in the form of a rectangular beam with transverse bar, Late Byzantine (13-14 thc.)

Gospel Book-1.JPG
The J. Paul Getty Museum

The Agony in the Garden, Manuscript, Period: Late Byzantine; circa: 1200 to 1299 A.D. Place: Nicaea. (Modern Turkey) Material: Tempera colors and gold leaf on parchment bound between wood boards covered with light brown velvet. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.)

Museum Description: “Placed within the Gospel of Matthew, the full-page miniature of the Agony in the Garden represents one of the more powerfully emotional moments in Jesus’ Passion. After the Passover meal, Jesus and his apostles retire to the Garden of Gethsemane, where Jesus foretells Saint Peter’s betrayal. Jesus then asks his closest disciples to stay awake with him, but later, while he prays, the apostles fall asleep.

The artist represents Jesus twice in the miniature: once confronting Peter at the bottom of the image and then praying above. Jesus’ feelings of isolation and abandonment as he prays are expressed visually by his physical separation not only from the apostles but also from the angel shown behind him. Against the hilly landscape, the apostles huddle together in their sleep, their bodies forming a mound almost as large as the mountain itself. The crisp folds of their garments are made of embedded geometric forms that echo the shape of the rocks at the top of the mountain.

The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

Small steatite icon of the Presentation of Christ in the Temple.jpg

Small steatite icon of the Presentation of Christ in the Temple , in high relief. Period: Late Byzantine; circa: 14th c. Dimensions: 0.11×0.09 m.

Saint Luke.JPG
The J. Paul Getty Museum

Saint Luke, Manuscript. Period: Late Byzantine; circa: late 13th century. Place (created): Constantinople.

Dimensions: Leaf: 21 × 14.9 cm (8 1/4 × 5 7/8 in.) The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

Christ Pantocrator.jpg
The State Hermitage Museum

Central Part of Triptych: Christ Pantocrator. Period: Late Byzantine; circa: Second half of 13th – early 14th century. Place: Byzantium, Macedon. Technique: tempera on panel. Dimensions: 29,3×21,8×3,2 cm. The collection of the State Hermitage includes over 3 million works of art and world culture artefacts. It contains paintings, graphic works, sculptures, works of applied art, archaeological artefacts and numismatic objects. The Hermitage is considered to have been founded in 1764, when Empress Catherine the Great acquired an impressive collection of works from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, St. Catherine’s Day. Opening Hours: Tuesday, Thursday, Saturday, Sunday: 10.30-18.00 Wednesday, Friday: 10.30-21.00 Closed: Monday.

Fragment of an Icon of the Crucifixion with Mary Magdalen and the Virgin Mary.png

Fragment of an Icon of the Crucifixion with Mary Magdalen and the Virgin Mary. Material: Steatite. Period: 14th century, Late Byzantine. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.

Reliquary Cross with the Crucifixion.png

Reliquary Cross with the Crucifixion, Period: Late Byzantine, circa: Late 12th-early 13th century. Materials: enamel on gold. The museum is open to the public Tuesday through Sunday, 11:30 a.m.–5:30 p.m., except for federal holidays.

John the Theologian and Prochoros; the Baptism (Epiphany); Harrowing of Hell (Anastasis); Saint Nicholas.jpg
Metropolitan Museum of Art

Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas. Period: Late Byzantine, early 15th century, Made in Crete, Materials: Tempera and gold on wood. On view at The Met Fifth Avenue in Gallery 303The Metropolitan Museum of Art (New York) is one of the world’s largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe. Public Hours: 10:30 a.m.–5:30 p.m. Open seven days a week.

Saint Luke-2.JPG
The J. Paul Getty Museum

Saint Luke, Manuscript, Period: Late Byzantine circa: early 13th century. Place: Nicomedia (Modern Izmit, Anatolia, Turkey) Materials: Tempera colors and gold leaf on parchment. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) Museum Description: “Before the Gospel of Saint Luke, the illuminator placed a portrait of the evangelist. Seated in an elaborate throne with his book open on his knees, Luke writes his Gospel, his account of Jesus’ life and teachings. The tradition of including author portraits in manuscripts began in antiquity; by the thirteenth century, the inclusion of portraits of the evangelists in Gospel books had become quite common. ” 

The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

The Annunciation.JPG
The J. Paul Getty Museum

The Annunciation, Manuscript. Period: Late Byzantine, circa: 13th century. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.). Place: Nicaea, Medium: Tempera colors and gold leaf on parchment.  (Modern Iznik, Turkey). The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

cameo.jpg

Cameo; red glass; quadrangular; Period: 13thC, Late Byzantine. Figure of St John the Baptist in relief with inscription. Made in: Venice. British Museum is closed 24, 25 and 26 December and 1 January, but is open every other day of the year.

Showing 1 - 20 of 41 results