Veil Embroidered with Gold Thread. Period: Late Byzantine; circa: end of the 13th or beginning of the 14th c. A liturgical article used for covering sacred vessels on an altar. It depicts Jesus in a portrayal of the Communion of the Apostles, symbolic of the sacrament of Holy Communion. One of the rare extant Byzantine embroideries. Made in: Constantinople. Dimensions: 0.52×0.65 m.
Double-sided circular jewellery attachment. Christ Pantokrator is depicted on one side and the Virgin Orans on the other side. Period: Late Byzantine; circa: early 12th century. Dimensions: 0,026 m. The Benaki Museum of Greek Culture is housed in one of the most beautiful neoclassical-style buildings in Athens, near the National Garden and the Hellenic Parliament. It was converted into a museum in order to shelter the collections of Antonis Benakis and was donated to the Greek nation by himself and his three sisters, Alexandra, Penelope and Argine. Following its most recent refurbishment (1989–2000), the building houses a unique exhibition on Greek culture arranged diachronically from prehistory to the 20th century.
Small steatite icon of the Presentation of Christ in the Temple , in high relief. Period: Late Byzantine; circa: 14th c. Dimensions: 0.11×0.09 m.
Icon of Depicting Virgin Mary Thornousa, which was probably part of a wider composition depicting Extreme Humiliation or Crucifixion. Period: Late Byzantine; circa: The fourth quarter of the 14th century. The shape of the Virgin Mary, with the scattered hair and the deformed by pain characteristics, refers to the expressive, anti-classical flow of Byzantine painting.
Small icon of St Nicholas. Period: Late Byzantine; circa: First half of 13th century. Materials: bronze. The Benaki Museum of Greek Culture is housed in one of the most beautiful neoclassical-style buildings in Athens, near the National Garden and the Hellenic Parliament. It was converted into a museum in order to shelter the collections of Antonis Benakis and was donated to the Greek nation by himself and his three sisters, Alexandra, Penelope and Argine. Following its most recent refurbishment (1989–2000), the building houses a unique exhibition on Greek culture arranged diachronically from prehistory to the 20th century.
Altar Cloth or Podea. Period: Late Byzantine, circa: late 14th century. Made in: probably Greece or Constantinople. Materials: Silk, embroidery. Dimensions: 58 1/2 x 51 1/8 in. (148.6 x 129.9 cm).
Museum Description: “The double-headed eagle became the primary symbol of the state during the late Byzantine centuries and was also adopted for liturgical use. This huge eagle was probably used as an altar cloth or as a podea, a skirt hung beneath an icon. The inscription, which connects the owner with distinguished imperial dynasties, exaggerated the claims of a pretender to the patriarchal throne.”
On view at The Met Fifth Avenue in Gallery 303. The Metropolitan Museum of Art (New York) is one of the world’s largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe. Public Hours: 10:30 a.m.–5:30 p.m. Open seven days a week.
Fragment of a Tunic, Period: Middle Byzantine circa: first half of 7th century, Made in: Egypt. Materials: tabby weave with inwoven tapestry ornament, linen and wool. Overall: 26.1 x 74.3 cm (10 1/4 x 29 1/4 in.). The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Virgin and Child, Medium: tempera and gold on wood, Type of art work: Painting, Period: Late Byzantine, circa: 1400s. Framed: 63.5 x 50.8 x 10.1 cm (25 x 20 x 4 in.); Unframed: 38.5 x 29.3 cm (15 1/8 x 11 1/2 in.). The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Fragment, Sleeve Ornament of a Tunic, Period: Early Byzantine, circa: 5th – 7th century. Made in: Egypt. Materials: tabby weave with inwoven tapestry ornament, linen and wool. Overall: 15.6 x 20 cm (6 1/8 x 7 13/16 in.). The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Ornament (Gammadion and Segmentum) from a Tunic, Period: Early Byzantine; circa: 6th century. Materials: tabby ground, inwoven tapestry ornament; wool. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Fragment of a Large Hanging, Period: Early Byzantine; circa: 6th century, Made in: Egypt. Materials: tapestry weave (with plain tabby borders): wool and linen. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
[xyz-ihs snippet="Cleveland-Museum-Art-Booking-Deals-Finder"]Fragment of a Curtain, Period: Early Byzantine; circa: 5th century. Made in: Egypt, Materials: tabby weave, inwoven tapestry ornament; wool and linen. Dimensions: 23.2 x 22.9 cm (9 1/8 x 9 in.). The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Square Segmentum, Period: Early Byzantine; circa: 5th century. Type of art work: Textile, Materials: tapestry; linen and wool. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Fragment of a Tunic, Period: Early Byzantine; circa: 5th – 7th century; Materials: tapestry weave; wool and linen. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Fragment of a Curtain, Period: Early Byzantine circa: 500s. Made in: Egypt, Materials: tabby weave, inwoven tapestry ornament; wool and linen, Overall: 38 x 52.3 cm (14 15/16 x 20 9/16 in.). The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Square Segmentum with Two Birds, Period: Early Byzantine; circa: 400s – 500s; Made in: Egypt, Material: tapestry; linen and wool. Dimensions: Overall: 10 x 10 cm (3 7/8 x 3 7/8 in.). The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Saint John the Evangelist Dictating, Manuscript, Period: Late Byzantine; circa: 1200 to 1225. Place: Nicomedia (Modern Izmit, Turkey) Materials: Tempera colors and gold leaf on parchment. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
Saint Luke, Manuscript, Period: Late Byzantine circa: early 13th century. Place: Nicomedia (Modern Izmit, Anatolia, Turkey) Materials: Tempera colors and gold leaf on parchment. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) Museum Description: “Before the Gospel of Saint Luke, the illuminator placed a portrait of the evangelist. Seated in an elaborate throne with his book open on his knees, Luke writes his Gospel, his account of Jesus’ life and teachings. The tradition of including author portraits in manuscripts began in antiquity; by the thirteenth century, the inclusion of portraits of the evangelists in Gospel books had become quite common. ”
The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
The Annunciation, Manuscript. Period: Late Byzantine, circa: 13th century. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.). Place: Nicaea, Medium: Tempera colors and gold leaf on parchment. (Modern Iznik, Turkey). The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
The Agony in the Garden, Manuscript, Period: Late Byzantine; circa: 1200 to 1299 A.D. Place: Nicaea. (Modern Turkey) Material: Tempera colors and gold leaf on parchment bound between wood boards covered with light brown velvet. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.)
Museum Description: “Placed within the Gospel of Matthew, the full-page miniature of the Agony in the Garden represents one of the more powerfully emotional moments in Jesus’ Passion. After the Passover meal, Jesus and his apostles retire to the Garden of Gethsemane, where Jesus foretells Saint Peter’s betrayal. Jesus then asks his closest disciples to stay awake with him, but later, while he prays, the apostles fall asleep.
The artist represents Jesus twice in the miniature: once confronting Peter at the bottom of the image and then praying above. Jesus’ feelings of isolation and abandonment as he prays are expressed visually by his physical separation not only from the apostles but also from the angel shown behind him. Against the hilly landscape, the apostles huddle together in their sleep, their bodies forming a mound almost as large as the mountain itself. The crisp folds of their garments are made of embedded geometric forms that echo the shape of the rocks at the top of the mountain.“
The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
Saint Luke, Manuscript. Period: Late Byzantine; circa: late 13th century. Place (created): Constantinople.
Dimensions: Leaf: 21 × 14.9 cm (8 1/4 × 5 7/8 in.) The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.