Fragment of an Icon of the Crucifixion with Mary Magdalen and the Virgin Mary. Material: Steatite. Period: 14th century, Late Byzantine. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
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Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas. Period: Late Byzantine, early 15th century, Made in Crete, Materials: Tempera and gold on wood. On view at The Met Fifth Avenue in Gallery 303. The Metropolitan Museum of Art (New York) is one of the world’s largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe. Public Hours: 10:30 a.m.–5:30 p.m. Open seven days a week.
Icon of St George, Period: Late Byzantine, circa: 13th century. Material: soapstone. Dimensions: 6,6 x 7,4 cm. The collection of the State Hermitage includes over 3 million works of art and world culture artefacts. It contains paintings, graphic works, sculptures, works of applied art, archaeological artefacts and numismatic objects. The Hermitage is considered to have been founded in 1764, when Empress Catherine the Great acquired an impressive collection of works from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, St. Catherine’s Day. Opening Hours: Tuesday, Thursday, Saturday, Sunday: 10.30-18.00 Wednesday, Friday: 10.30-21.00 Closed: Monday.
Christ Pantocrator with Donators, Period: Late Byzantine, circa: Circa 1363. Technique: tempera on panel. Dimensions: 106 x 79 x 2,8 cm. The collection of the State Hermitage includes over 3 million works of art and world culture artefacts. It contains paintings, graphic works, sculptures, works of applied art, archaeological artefacts and numismatic objects. The Hermitage is considered to have been founded in 1764, when Empress Catherine the Great acquired an impressive collection of works from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, St. Catherine’s Day. Opening Hours: Tuesday, Thursday, Saturday, Sunday: 10.30-18.00 Wednesday, Friday: 10.30-21.00 Closed: Monday.
Icon, St John the Baptist. Period: Late Byzantine; circa: Early 14th century. Place: Byzantium, Athos. Technique: tempera on panel lined with canvas. Dimensions: 66x39x2,2 cm. The collection of the State Hermitage includes over 3 million works of art and world culture artefacts. It contains paintings, graphic works, sculptures, works of applied art, archaeological artefacts and numismatic objects. The Hermitage is considered to have been founded in 1764, when Empress Catherine the Great acquired an impressive collection of works from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, St. Catherine’s Day. Opening Hours: Tuesday, Thursday, Saturday, Sunday: 10.30-18.00 Wednesday, Friday: 10.30-21.00 Closed: Monday.
Central Part of Triptych: Christ Pantocrator. Period: Late Byzantine; circa: Second half of 13th – early 14th century. Place: Byzantium, Macedon. Technique: tempera on panel. Dimensions: 29,3×21,8×3,2 cm. The collection of the State Hermitage includes over 3 million works of art and world culture artefacts. It contains paintings, graphic works, sculptures, works of applied art, archaeological artefacts and numismatic objects. The Hermitage is considered to have been founded in 1764, when Empress Catherine the Great acquired an impressive collection of works from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, St. Catherine’s Day. Opening Hours: Tuesday, Thursday, Saturday, Sunday: 10.30-18.00 Wednesday, Friday: 10.30-21.00 Closed: Monday.
The Descent into Limbo, Period: Late Byzantine, circa: 13th century. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) Place: Nicaea, Modern Turkey (Place created).
Museum Description: “After his Crucifixion and before his Resurrection, Christ freed worthy Bible figures from limbo (an event known as the Anastasis in Greek). Here Christ pulls Adam by the wrist out of the tomb and toward the Kingdom of Heaven, while Abel, Eve, John the Baptist, King Solomon, and King David await their salvation. The two kings are dressed in the jeweled crowns and embroidered cloaks of Byzantine emperors.”
The collection of the J. Paul Getty Museum comprises Greek, Roman, and Etruscan art from the Neolithic to Late Antiquity; European art—including illuminated manuscripts, paintings, drawings, sculpture, and decorative arts—from the Middle Ages to the early twentieth century; and international photography from its inception to the present day.
The Last Supper, Period: Late Byzantine; circa: 13th century, Place: Nicaea, Modern Turkey. (created) Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.).
The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
The Entry into Jerusalem, Period: Late Byzantince circa: 13 th century. Place (created): Nicaea (Modern Iznik, Turkey, Anatolia). Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.). Materials: Tempera colors and gold leaf on parchment. The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
Saint Mark. Period: Late Byzantine circa: late 13th century. Place: Constantinople (Place created) Dimensions: Leaf: 21 × 14.9 cm (8 1/4 × 5 7/8 in.). Museum Description: “Saint Mark pauses, quill in hand, as he writes his account of the life of Christ. This portrait of the saint as author introduces his Gospel in a Greek manuscript of the late 1200s. An inscription in red on the gold leaf background identifies the saint by name. ” The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
Saint Luke, Manuscript. Period: Late Byzantine; circa: late 13th century. Place (created): Constantinople.
Dimensions: Leaf: 21 × 14.9 cm (8 1/4 × 5 7/8 in.) The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
The Agony in the Garden, Manuscript, Period: Late Byzantine; circa: 1200 to 1299 A.D. Place: Nicaea. (Modern Turkey) Material: Tempera colors and gold leaf on parchment bound between wood boards covered with light brown velvet. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.)
Museum Description: “Placed within the Gospel of Matthew, the full-page miniature of the Agony in the Garden represents one of the more powerfully emotional moments in Jesus’ Passion. After the Passover meal, Jesus and his apostles retire to the Garden of Gethsemane, where Jesus foretells Saint Peter’s betrayal. Jesus then asks his closest disciples to stay awake with him, but later, while he prays, the apostles fall asleep.
The artist represents Jesus twice in the miniature: once confronting Peter at the bottom of the image and then praying above. Jesus’ feelings of isolation and abandonment as he prays are expressed visually by his physical separation not only from the apostles but also from the angel shown behind him. Against the hilly landscape, the apostles huddle together in their sleep, their bodies forming a mound almost as large as the mountain itself. The crisp folds of their garments are made of embedded geometric forms that echo the shape of the rocks at the top of the mountain.“
The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
The Annunciation, Manuscript. Period: Late Byzantine, circa: 13th century. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.). Place: Nicaea, Medium: Tempera colors and gold leaf on parchment. (Modern Iznik, Turkey). The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
Saint Luke, Manuscript, Period: Late Byzantine circa: early 13th century. Place: Nicomedia (Modern Izmit, Anatolia, Turkey) Materials: Tempera colors and gold leaf on parchment. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) Museum Description: “Before the Gospel of Saint Luke, the illuminator placed a portrait of the evangelist. Seated in an elaborate throne with his book open on his knees, Luke writes his Gospel, his account of Jesus’ life and teachings. The tradition of including author portraits in manuscripts began in antiquity; by the thirteenth century, the inclusion of portraits of the evangelists in Gospel books had become quite common. ”
The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
Saint John the Evangelist Dictating, Manuscript, Period: Late Byzantine; circa: 1200 to 1225. Place: Nicomedia (Modern Izmit, Turkey) Materials: Tempera colors and gold leaf on parchment. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.
Virgin and Child, Medium: tempera and gold on wood, Type of art work: Painting, Period: Late Byzantine, circa: 1400s. Framed: 63.5 x 50.8 x 10.1 cm (25 x 20 x 4 in.); Unframed: 38.5 x 29.3 cm (15 1/8 x 11 1/2 in.). The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.
Sarcophagus – from the imperial cemetery beside the Church of the Holy Apostles. Period: Early Byzantine; circa: early 5th century. Material: Marble, Findspot: Sariguzel/Fatih – Istanbul.
In the Istanbul Archaeological Museum collections, there are rich and very important works of art belonging to various civilizations from the regions from Africa to Balkans , from Anatolia and Mesopotamia to Arab Peninsula and Afghanistan that were in the borders of the Ottoman Empire.
Lion Statue from the monumental gate of Bucaleon Palace. Period: Early Byzantine, Findspot: Catladikapi, Istanbul, Material: Marble.
In the Istanbul Archaeological Museum collections, there are rich and very important works of art belonging to various civilizations from the regions from Africa to Balkans , from Anatolia and Mesopotamia to Arab Peninsula and Afghanistan that were in the borders of the Ottoman Empire.
Bust of Emperor Arcadius, Period: Early Byzantine circa: late 4th. century. Made in/Findspot: Constantinople (Modern Turkey; Beyazit, Istanbul) Materials: Marble. In the Istanbul Archaeological Museum collections, there are rich and very important works of art belonging to various civilizations from the regions from Africa to Balkans, from Anatolia and Mesopotamia to Arab Peninsula and Afghanistan that were in the borders of the Ottoman Empire.
Sarcophagus Fragment of Emperor Constantine the Great (?) Materials: Porphyry Period: Early Byzantine circa: 4th century. In the Istanbul Archaeological Museum collections, there are rich and very important works of art belonging to various civilizations from the regions from Africa to Balkans , from Anatolia and Mesopotamia to Arab Peninsula and Afghanistan that were in the borders of the Ottoman Empire.
Bloodstone Cameo with Saint George. Period: Middle Byzantine, circa: 1000-1100s. Material: bloodstone. Made in: Constantinople. Overall: 3.2 x 2.8 x 1.4 cm (1 1/4 x 1 1/16 x 1/2 in.) The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.