Late Byzantine

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byzantine seal John Tarchaneiotes.jpg

Seal, John Tarchaneiotes, Period: Late Byzantine, 13 th. century. (second half).  St. John the Baptist standing, holding a staff cross over his left shoulder. The museum is open to the public Tuesday through Sunday, 11:30 a.m.–5:30 p.m., except for federal holidays.

Gospels of Luke and John (Dumbarton Oaks MS 4)  Middle Byzantine.png

Gospels of Luke and John, Period:Middle Byzantine, circa: Late 12th-early 13th century A.D.  The museum is open to the public Tuesday through Sunday, 11:30 a.m.–5:30 p.m., except for federal holidays.

Head of a Female Saint.jpg
Museum of Fine Arts, Boston

Head of a Female Saint, Fresco transferred to panel, Period: Late Byzantine circa: 12th-14th centuries. The MFA is open 7 days a week. Monday and Tuesday 10 am–5 pm, Wednesday–Friday 10 am–10 pm, Saturday and Sunday 10 am–5 pm.

Manuscript Leaf, St. John and Prochoros.png

Manuscript Leaf, St. John and Prochoros, Period: Late Byzantine, 13th century. The museum is open to the public Tuesday through Sunday, 11:30 a.m.–5:30 p.m., except for federal holidays.

Icon of St George.jpg
The State Hermitage Museum

Icon of St George, Period: Late Byzantine, circa: 13th century. Material: soapstone. Dimensions: 6,6 x 7,4 cm. The collection of the State Hermitage includes over 3 million works of art and world culture artefacts. It contains paintings, graphic works, sculptures, works of applied art, archaeological artefacts and numismatic objects. The Hermitage is considered to have been founded in 1764, when Empress Catherine the Great acquired an impressive collection of works from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, St. Catherine’s Day. Opening Hours: Tuesday, Thursday, Saturday, Sunday: 10.30-18.00 Wednesday, Friday: 10.30-21.00 Closed: Monday.

Saint Mark-1.JPG
The J. Paul Getty Museum

Saint Mark. Period: Late Byzantine circa: late 13th century. Place: Constantinople (Place created) Dimensions: Leaf: 21 × 14.9 cm (8 1/4 × 5 7/8 in.). Museum Description: “Saint Mark pauses, quill in hand, as he writes his account of the life of Christ. This portrait of the saint as author introduces his Gospel in a Greek manuscript of the late 1200s. An inscription in red on the gold leaf background identifies the saint by name. ” The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

Double Sided Circular Jewellery Attachment.jpg

Double-sided circular jewellery attachment. Christ Pantokrator is depicted on one side and the Virgin Orans on the other side. Period: Late Byzantine; circa: early 12th century. Dimensions: 0,026 m. The Benaki Museum of Greek Culture is housed in one of the most beautiful neoclassical-style buildings in Athens, near the National Garden and the Hellenic Parliament. It was converted into a museum in order to shelter the collections of Antonis Benakis and was donated to the Greek nation by himself and his three sisters, Alexandra, Penelope and Argine. Following its most recent refurbishment (1989–2000), the building houses a unique exhibition on Greek culture arranged diachronically from prehistory to the 20th century.

The Last Supper.JPG
The J. Paul Getty Museum

The Last Supper, Period: Late Byzantine; circa: 13th century, Place: Nicaea, Modern Turkey. (created) Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.).

The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

icon with St Nicholas.jpg

Small  icon of St Nicholas. Period: Late Byzantine; circa: First half of 13th century. Materials: bronze.  The Benaki Museum of Greek Culture is housed in one of the most beautiful neoclassical-style buildings in Athens, near the National Garden and the Hellenic Parliament. It was converted into a museum in order to shelter the collections of Antonis Benakis and was donated to the Greek nation by himself and his three sisters, Alexandra, Penelope and Argine. Following its most recent refurbishment (1989–2000), the building houses a unique exhibition on Greek culture arranged diachronically from prehistory to the 20th century.

Fragment of an Icon of the Crucifixion with Mary Magdalen and the Virgin Mary.png

Fragment of an Icon of the Crucifixion with Mary Magdalen and the Virgin Mary. Material: Steatite. Period: 14th century, Late Byzantine. The Cleveland Art Museum Hours: Tuesdays, Thursdays, Saturdays, Sundays 10:00 a.m.–5:00 p.m. Wednesdays, Fridays 10:00 a.m.–9:00 p.m. Closed Mondays.

Constantine Xeros, sebastos (twelfth century, second half).jpg

Constantine Xeros, Sebastos. Period: Late Byzantine, 12th.c. second half. Translation: May you, all-holy Virgin, be the keeper and seal of the correspondence of the sebastos Constantine Xeros. The museum is open to the public Tuesday through Sunday, 11:30 a.m.–5:30 p.m., except for federal holidays.

Saint John the Evangelist Dictating-1.JPG
The J. Paul Getty Museum

Saint John the Evangelist Dictating, Manuscript, Period: Late Byzantine; circa: 1200 to 1225. Place: Nicomedia (Modern Izmit, Turkey) Materials: Tempera colors and gold leaf on parchment. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

John the Theologian and Prochoros; the Baptism (Epiphany); Harrowing of Hell (Anastasis); Saint Nicholas.jpg
Metropolitan Museum of Art

Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas. Period: Late Byzantine, early 15th century, Made in Crete, Materials: Tempera and gold on wood. On view at The Met Fifth Avenue in Gallery 303The Metropolitan Museum of Art (New York) is one of the world’s largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe. Public Hours: 10:30 a.m.–5:30 p.m. Open seven days a week.

Glass Cameo, Late Byzantine.jpg

Glass Cameo, Period: Late Byzantine; circa: 13th century A.D. Brick-red, opaque; on the front, the Crucifixion with, the Virgin at left, St John at right. Set in a metal frame. Diameter: 51 millimetres. British Museum is closed 24, 25 and 26 December and 1 January, but is open every other day of the year. Fast facts about the British Museum: Founded: 1753, Collection size: 8 million objects, Oldest object in the collection: Stone chopping tool (nearly 2 million years old).

Cross with Pearls-1.jpg
Metropolitan Museum of Art

Cross with Pearls, Period: Late Byzantine, circa: 1200–1400. Materials: Gold and pearls. On view at The Met Fifth Avenue in Gallery 303. The Metropolitan Museum of Art (New York) is one of the world’s largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe. Public Hours: 10:30 a.m.–5:30 p.m. Open seven days a week.

Relief Icon, Late Byzantine.jpg

Relief plaque icon, depicting the Crucifixion with full-length figures of the Virgin on the left and St John on the right, Late Byzantine (13 thc). Materials: Steatite – Gold.

Small steatite icon of the Presentation of Christ in the Temple.jpg

Small steatite icon of the Presentation of Christ in the Temple , in high relief. Period: Late Byzantine; circa: 14th c. Dimensions: 0.11×0.09 m.

Altar Cloth or Podea-1.jpg
The Metropolitan Museum of Art 

Altar Cloth or Podea. Period: Late Byzantine, circa: late 14th century. Made in: probably Greece or Constantinople. Materials: Silk, embroidery. Dimensions: 58 1/2 x 51 1/8 in. (148.6 x 129.9 cm).

Museum Description: “The double-headed eagle became the primary symbol of the state during the late Byzantine centuries and was also adopted for liturgical use. This huge eagle was probably used as an altar cloth or as a podea, a skirt hung beneath an icon. The inscription, which connects the owner with distinguished imperial dynasties, exaggerated the claims of a pretender to the patriarchal throne.”

On view at The Met Fifth Avenue in Gallery 303. The Metropolitan Museum of Art (New York) is one of the world’s largest and finest art museums. Its collection includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe. Public Hours: 10:30 a.m.–5:30 p.m. Open seven days a week.

Saint Luke-2.JPG
The J. Paul Getty Museum

Saint Luke, Manuscript, Period: Late Byzantine circa: early 13th century. Place: Nicomedia (Modern Izmit, Anatolia, Turkey) Materials: Tempera colors and gold leaf on parchment. Dimensions: Leaf: 20.6 × 14.9 cm (8 1/8 × 5 7/8 in.) Museum Description: “Before the Gospel of Saint Luke, the illuminator placed a portrait of the evangelist. Seated in an elaborate throne with his book open on his knees, Luke writes his Gospel, his account of Jesus’ life and teachings. The tradition of including author portraits in manuscripts began in antiquity; by the thirteenth century, the inclusion of portraits of the evangelists in Gospel books had become quite common. ” 

The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

Icon of Depicting Virgin Mary Thornousa.jpg

Icon of Depicting Virgin Mary Thornousa, which was probably part of a wider composition depicting Extreme Humiliation or Crucifixion. Period: Late Byzantine; circa: The fourth quarter of the 14th century. The shape of the Virgin Mary, with the scattered hair and the deformed by pain characteristics, refers to the expressive, anti-classical flow of Byzantine painting.

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